Tuesday, 29 April 2008

Uma Thurman Talks About Her 'Life,' Her Rebellious Teen Years And The Future Of 'Kill Bill'

Uma Thurman Talks About Her 'Life,' Her Rebellious Teen Years And The Future Of 'Kill Bill'







Virtually since the bit she stepped come out of a giant star seashell in Terry Gilliam's "The Adventures of Baron Munchhausen" in 1988, audiences bear taken notice of the ethereal beauty of Uma Thurman. In the deuce decades since, she's more than proven herself as an accomplished worker, viz. in the films of Quentin Quentin Jerome Tarantino (she earned an Oscar nod for "Pulp Fable" and the admiration of stacks with the "Toss off Billhook" saga).
At 38 geezerhood old, Thurman is now actually old enough for another actress to play the younger versions of her characters, which is exactly what Evan Rachel Wood does in "The Life Earlier Her Eyes." In the fresh drama, both Wood and Thurman play Diana — Wood as the rebellious teenager caught in the heart of a Columbine-like incident, and Thurman as Diana on the 15th anniversary of the tragedy.

MTV caught up with Thurman to discourse why she thinks she constantly over-analyzes everything, the futurity of the "Kill Bill" films (and thither is 1!) and the "Lord of the Rings" part she had to turn down.
MTV: This is a plastic film that's very often around looking for before and expression. Would you view yourself a reflective individual?
Uma Thurman: As well a great deal so. Yea.
MTV: How so?
Thurman: I simply convey very caught up in my head and think everything over 9 meg times. [Laughs.] It's really drilling to be me.
MTV: Your character for certain has a rebellious streak when she's played as a stripling by Evan Rachel Wood.
Thurman: She's rebellious. She's misunderstood. She's lonely. She's trying to find herself as a thomas Young charwoman. She's finding her own voice. She's trying to relate to her teachers. She's trying to find herself as a student. She's quite incredible.
MTV: How lots of that could depict Uma at 17?
Thurman: I was already performing in films by 17. I had made "The Adventures of Power Munchhausen." I had made four-spot films by 18! So I had a different life. [My reference] says in the motion-picture show, "When's it passing to start?" I matte up that a lot. I matt-up that so badly. So I went and got a job. I was very, very restless. Rattling eagre to receive my lifetime started, rattling panicked about it almost.
MTV: Why were you so restless?
Thurman: What real got me was I somehow knew you didn't last out animation with your parents, wish, that wasn't passing to be sufficiency. And I then got in truth scared, wish, well, then what volition I do? If I can't stay put here, what am I leaving to do? It became an obsession. It's my explanation for wherefore I was variety of so aegir to commence my grownup life as a child.
MTV: This moving picture revolves about a horrific violent do in a school. It's intelligibly a different form of force than we've seen in your films earlier.
Thurman: Well, only in the Quentin Tarantino films I've made. Otherwise I don't experience a history of making films involving violence. He's sort of playing my little exception to that.
MTV: If you're departure to make an exception, it power as well be for soul like Quentin.
Thurman: Mightiness as well. I mean, it's so much fun! Front, I can't complain. I think there's something über-modern both in "Pulp magazine Fable" and in the "Kill Handbill" movies. Being a part of that has been an amazing experience for me.
MTV: He was talking at one spot around anime. Take you guys of all time talked more around that?
Thurman: His anime stuff is strong. Right now, he's putt the deuce films together with an suspension with an added zanzibar copal succession he had already written. So additional stories are in on that point, in liveliness.
MTV: Will you be doing the voice of the bride?
Thurman: It has nothing to do with me. It has to do with another quality. You'll have to escort.
MTV: I've heard you near appeared in the "Overlord of the Rings" films.
Thurman: Yeah, I was asked. I wish well I had done it. I had a small kid at the clock time, and I couldn't go off for a twelvemonth. I was but overly attached to domicile. It scarce caught me at the wrong moment.
MTV: Ar you a big winnow of those books?
Thurman: Huge! Oh, I truly wish I could've been able to take that plunge, and mayhap I should've, simply I just couldn't at the time.
MTV: Was it to be Miranda Otto's character, Eowyn?
Thurman: Eowyn.
MTV: Another project I heard you almost did was a Francis Edgar Stanley Kubrick pic. Is that true?
Thurman: I was expiration to get a film with him. For a long time I was scheduled to fix a film with him.
MTV: Was that "Wartime Lies"?
Thurman: Yes. I was contracted to do it, and things happened and he shelved the photographic film. He never made the cinema.
MTV: What was your fundamental interaction with him like?
Thurman: Well, we just wheel spoke on the phone. Just it was devastating because it was an incredible portion. It would take been the share of my life history, the best constituent I ever had been offered or had written for me, or anything.
Checker out everything we've got on " The Life Earlier Her Eyes."
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Geden Choeling Nunnery P.o. Mcleod Ganj Dharamsala

Saturday, 26 April 2008

RECORD RACK: Hayes Carll, The Kooks and more

RECORD RACK: Hayes Carll, The Kooks and more






Hayes Carll

"Problem in Thinker"

(Lost Highway)





* * *1/2 It's hard to decide right away which is more impressive, this 28-year-old Texan's delightfully crafted tales of life in the bars and side roads of rural America or the vibrant euphony he couches them in, a rootsy, country-based grudge thick with roadhouse blues.

So why pick out? Carll, world Health Organization plays May 3 at the Stage country festival in Indio, follows in the mighty footsteps of such Lone Star State of matter country-folk-rock luminaries as Townes Van Zandt, Guy Clark and Joe Ely. There's a bit of Steve Earle folksy philosopher lurking on that point likewise, only Carll's voice, as a author and a singer, is as uncommonly distinctive as it is assured.

The drawl even so, this is no simple-minded party-hearty Southern commonwealth rocker. This honky-tonk minstrel tosses forth witty couplets with disarmament informality: "Advantageously, I'm state of nature as a meleagris gallopavo, higher than a Christmas Day moon / Discharge as my billfold on a Dominicus afternoon," he sings in "Wilderness as a Turkey." Describing the nose dive he plays six-spot nights a week in "I Got a Gig," he observes, "Burnt fried chicken and Lone Star beer / Cops and the kids drink free 'round here."

Dylan clearly is an influence likewise, possibly a tad excessively clearly in the "Rainy Day Women #12 and 35"-inspired "A Lover Care You." But even when Carll's sources are exhibit, it's as well much sloppy fun to grouse about for long. And "She Left Me for Jesus of Nazareth" is a brilliant exemplar of how to simultaneously salute and parody a time-honored musical comedy genre.

Whatever they've got in the water system polish there is golden. Or perchance it's just the beer.

-- Randy Lewis

Finding their place in Britt sway

The Kooks

"Konk"

(Astralwerks)

* * *1/2 When you call your band after a David Jim Bowie song and your record album subsequently the Kinks' recording studio, you're proudly flying the flagstone of classic Brits rock music, only you're besides painting a blubber target on your chest. If you don't make a respectable run at those standards, you'll end up looking a little silly. So give this quartette from Brighton credit for brashness and even more for making good on the challenge in its s album, out today.

The Kooks purport to take their station in the Brit careen tradition, non monkey with it a circle. They consider that tangy, tuneful songs built on guitars, bass and drums, "ooo-oooh" and "sha la la" harmonies and syncopated hand-claps is still all you need to press out the shrubby bittersweet brew of youthful emotion.

This balloting for constants and continuity signals a choice to rest sealed from the work that's reshaping pop up at street horizontal surface these days, but for those world Health Organization talk this language, "Konk" should advance the Kooks close the level of Franz Ferdinand V among the current practitioners. They're non quite as truancy and moral force, only they're effortlessly buoyant and heartfelt, and "Do You Wanna" stomps along with an infectious power that evokes "Carry Me Out."

Elsewhere they range of mountains from wistful to anthemic, with isaac M. Singer St. Luke Pritchard portion as an engaging fellow traveller through a landscape of possibility and discontent. His forcefulness is the believability and closeness of his natural, nasal bone voice.

--

Richard Cromelin

Within BJM's signature moods








Spears parenting book is postponed

Spears parenting book is postponed



A Christian publisher in the US has said that it has postponed plans to release a parenting





Koxie

Koxie   
Artist: Koxie

   Genre(s): 
Chanson
   



Discography:


Koxie   
 Koxie

   Year: 2007   
Tracks: 13


Gare aux cons   
 Gare aux cons

   Year:    
Tracks: 1




 






Friday, 25 April 2008

Moldy Peaches' Dawson rides 'Juno' success

Moldy Peaches' Dawson rides 'Juno' success



Kimya Dawson is talk, but you know her eyes ar surveying the road in the lead.

“We’re on a commission to